The nice folks at All Book Reviews have posted their review of Epic Fantasy 0.9b. This actually comes at a great time; I’m in the process of having the cover re-done and generally putting more time into marketing it as the work on my novel (gradually) wraps up. The review itself is very positive, although they do make a couple criticisms which I think are somewhat fair. It looks like their blog is getting off to a great start, so I urge you all to subscribe to them if you want to find more great books to read.
Yes, you read the title of this post correctly. Dean Koontz wrote a craft book. Please let that statement sink fully into your consciousness, so that you’re prepared for the wild ride we’re about to embark on together.
Now, one thing I want to make clear from the start is that it is not the intention of this review to “bash” or otherwise diminish Mr. Koontz. On the contrary; he’s exactly the sort of person who should be writing a how-to book. Unlike some of the half-baked yahoos out there handing out writing advice, he has a specific talent, is demonstrably good at it, and can articulate his method with extreme clarity. It’s just that, given the nature of Koontz and his work, one needs to set certain expectations as to what is to be learned. Writing Popular Fiction does have some information about the process of putting together sentences and paragraphs, but its main concern is writing to a market. Meaning: understanding what the market wants, and how an author who actually wants to make a living from writing can focus themselves on producing the right kind of work to actually accomplish it.
That being said, there are a couple of twists involved that make this book especially fun to read. For one thing, it was published in 1974. There’s no mention of self-publishing (obviously), and lots of talk about subjects like whether or not it’s wise to use carbon paper in one’s typewriter (Koontz says yes). Essentially, the book is a time capsule from the wild world of publishing in the mid-1970s, and you’ll probably be amazed at how much has stayed the same even more than how much has changed.
The second twist element is Koontz himself; from the first page, where he admonishes the reader not to send him feedback saying he missed anything, he comes off as a man who has too many other things to be doing to put up with any of your bullshit. Even at such an early phase in his career, he’s clearly put in an astonishing amount of time in front of the typewriter, and he knows it. When he says something, he’s not gonna mince around with “maybes” or “shoulds.” Take his advice and reap the benefits, or don’t take it and end up penniless and ignored—just don’t ask him to repeat himself–he’s got too many other books to write.