Hello! Since I have a habit of burying the lede, I’ll just come right out and say it: I’ve signed a contract with Dragon Moon Press to publish my next novel.
Of course I’m overjoyed at this development. Some of the reasons should be obvious: lots of time invested (years!), big milestone, excited by the opportunity for people to see my work, and so on. But I’m also jazzed to be working with Dragon Moon in particular. They’ve in business as a small press since 1993, which by itself is fairly astonishing. Their covers look fantastic. And most importantly, though every Author is different, from the discussions we’ve had I feel they’re a great fit for me and my current goals.
As for the book itself, you can read a bit about the plot and the process of writing it in my post-mortem here. And if you want more…well, you’ll have to wait. This process will in all likelihood not be speedy, but I’m happy to document what I can along the way for those who are interested (I mean, it would interest me, so there must be someone else out there). There will be plenty of time later to get into more detailed marketing stuff, title, cover reveal, sample and so on. For now, I’m simply giving a heads up that good things are on the way. And in the meantime, I have more writing to do….
That Which is Known is a five-minute, weekly podcast by author Michael Coorlim, in which he presents interesting facts on topics of research relevant to what he’s writing. Recently he put out an open call for others to produce guest episodes with the same format, and I volunteered to record one on the topic of alternate universes, with a tie-in of course to my work on the Reintegrators.
The episode is up now at the TWIK site (and on iTunes and what-have-you):
A small, blog-only “fun fact”: I was familiar with the many-worlds interpretation of Q.M. when I started writing the Reintegrators, but the “ultimate ensemble” idea (which Kevin explains to Teddy in chapter 5, though he doesn’t name it as such) was something I came up on my own, and that in turn led to the genesis of the entire book. It wasn’t until later that I found out about Dr. Tegmark’s work, and was quite pleased that an air of authenticity had thus been laid over the whole thing ;P.
Anyway, check out the podcast if you want to hear my sultry radio voice. I also recommend Mr. Coorlim’s fiction for fans of steampunk mysteries. I’m considering doing more stuff like this in the future, so if you’d like to see more, let me know in the usual places.
The time has come again for self-reflection. After a year of work (which includes various breaks for revising Aetheria’s Daemon more than once, writing shorts, and various other things), this month I completed the first draft of my third novel (title still pending; I’ve probably mentioned the working title on this blog before if you’re curious enough to dig into it, but no one seems to like it so it’s stuck in limbo at the moment).
Continue reading I Finished Another Book
The following is a compilation of ideas I’ve had recently about how to write effective opening scenes for a novel or short story. The usual caveats apply: I’m an idiot, this is not a secret formula, a great writer can make anything work, etc. Use, ignore or argue with at your leisure.
Continue reading Thoughts on Opening Scenes
Ah, big science fiction conventions. So exciting, so exhausting, overflowing with possibility and inevitable disappointment. Dragon Con 2014 is over, I’ve had a post-trip nap and several showers, and the feelings I’m left with are…mixed…
Continue reading Dragon Con Post-Mortem
Swords and Sorcery is an online magazine published by the inimitable Curtis Ellett, and this month I’m honored to have been chosen to have a story of mine published there.
(note: if The Yardstick is no longer in the current issue when you read this, click the Archive link and search for Will Weisser to find it).
A little more background for those who are interested: during the very little downtime I had at Worldcon last year, I felt like I needed to write something, having been inspired by the presence of so many great creative types. I free-associated a bunch of random titles in my notebook, most of which will likely never amount to anything, but one that did catch my eye was “The Yardstick.” I have no idea why I wrote down those words, but the idea of a measuring device implied story possibilities to me. What if this yardstick wasn’t regular, but magical? What could it measure? A person? What about them? Perhaps if they were brave enough, strong enough, worthy of some title or distinction?
Over the next couple of weeks I fleshed out the rest of the story without any planning, just making it up as I went, which is not my usual M.O., especially since I rarely write short stories anyway (I’m not nearly brave enough to try and write an entire novel that way). I think it turned out pretty well, and although not everything I start ends up so good, after 4 years I feel like I’m definitely making progress at writing fiction thing, as evidenced by this, the first time someone has paid me up front for my work.
So, please enjoy, check out the other stories on the S&S site, and blog, tweet and otherwise share the fruits of Mr. Ellet’s (and the author’s) labor. Now I’m going back to work on some ideas for my third novel…